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I just love working with orange! Orange is for the brave. Here I wanted to also paint white. What colour is white? It is a reflection of the colours around it. This was a happy break from my botanical studies and I feel I have control over the arrangements of still life.
Ready to hang.
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How impressive would this look hanging in your home. Add a couple of orange mates to make a great trio.
I just love working with orange! Orange is for the brave. Here I wanted to also paint white. What colour is white? It is a reflection of the colours around it. This was a happy break from my botanical studies and I feel I have control over the arrangements of still life.Ready to hang.
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I just love working with orange! Orange is for the brave. Here I wanted to also paint white. What colour is white? It is a reflection of the colours around it. This was a happy break from my botanical studies and I feel I have control over the arrangements of still life.
Ready to hang.
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‘Shadows and Rubies’ presents three whole pomegranates and one cut open, revealing vibrant red seeds against a dark blue backdrop.
Bold reds and yellows bring the fruits to life, with subtle red drips below adding a dynamic touch. Framed in a recycled blue frame with gentle scuffs and a yellow inner edge, the frame's character perfectly complements the artwork’s tones.DETAILS:
*Technique: Palette knife and brush blending.
*Style: Contemporary realism / expressionist still life.
*Inspiration: The interplay between opposites — light and shadow, warmth and coolness. I wanted to explore the power and harmony between the cool blues of the shadows and background and the intense, warm reds of the pomegranates.
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‘Abundance’ is a vibrant celebration of nature's bounty. This original acrylic still life features a lush array of pomegranates, lemons and figs, bursting with rich colours and textures.
Blending classical elegance with a modern twist and inspired by the works of Paul Cézanne, this piece blends traditional still life with a fresh, contemporary approach, transforming everyday objects into something extraordinary.
Sides painted dark grey.
DETAILS:
*Technique: Layered brushwork with both soft blends and impasto accents.
*Style: Contemporary still life / classical revival with a modern twist.
*Inspiration: The textured backdrop, soft light and varied produce pay homage to the masters, while the brushwork and colour choices bring a fresh, modern vitality to a timeless genre.
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Infuse your space with the refreshing essence of ‘Yellow Zest’.
This lively acrylic painting showcases a cluster of vibrant lemons, their bold yellow popping against a soft backdrop.
Framed with a rustic timber-style surround for added contrast, ‘Yellow Zest’ is great for kitchen nooks or cafeteria walls.DETAILS :
*Technique: Palette knife and brushwork, thick layering for fruit texture.
*Style: Modern still life / abstract impressionism.
*Inspiration: Blends classical still life form with a contemporary twist, reflecting a love for old-world subjects reimagined through modern brush energy.
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‘Tranquility’ captures the harmony of nature through a serene stack of stones, delicately balanced against a calm blue sky and reflected in still waters.
At the top, a small round pebble—seemingly minor yet essential—holds the entire structure together, symbolising how even the smallest elements play a vital role in maintaining harmony.
Sides painted dark grey.DETAILS:
*Technique: Layered brushwork with dry blending.
*Style: Contemporary minimalist / symbolic realism.
*Inspiration: This painting explores the metaphor of balance, between elements, emotions and moments.
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Unframed and ready to hang.
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Framed in timber.
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Timber frame.
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Timber frame.
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Timber frame.
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If you know my work, you will see a theme in all the subject matter of phenomena appearing and disappearing. This is life. Things form and appear, then breakdown and disappear. Here, the teapot and cups move towards the light and transform into the unknown. I am constantly reflecting on this theme. And yes, there is a dog.
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A collection of ornaments, including a little carved coyote that I bought in Santa Fe. The little painting is one that I did over 20 years ago at art school and fulfils my penchant for including images within images into my work. It's colourful and it will bring a little joy and wonder to any space.
The edges are painted white and it is unframed.
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These were the first teapots I made as a potter. They are very quirky and have all kinds of issues, the way first teapots do. Making a teapot is considered the potter's "Everest". They look simple enough, but everything has to fit to the millimetre, and of course, they need to pour well! The handle must feel comfortable to hold and the lid must fit just right - plus you have to remember to put the steam hole in. I kept the egg like one because it amused me, and call it good fortune or beginner’s luck, it actually does pour very well.
I always like to make my work with a dreamlike quality - slightly surreal. Is it a window view behind the teapots or a painting? You can decide.
I am playing with new and different palettes. I rather like this one, it's warm and comforting like a cup of tea.
The work is framed and ready to hang.