• By Delma White

    Oil on canvas

    30.5cm x 30.5cm x 3.5cm

  • I just love working with orange! Orange is for the brave. Here I wanted to also paint white. What colour is white? It is a reflection of the colours around it. This was a happy break from my botanical studies and I feel I have control over the arrangements of still life.

    Ready to hang.

  • By Delma White

    Oil on canvas

    30.5cm x 30.5cm x 3.5cm

  • How impressive would this look hanging in your home. Add a couple of orange mates to make a great trio.
    I just love working with orange! Orange is for the brave. Here I wanted to also paint white. What colour is white? It is a reflection of the colours around it. This was a happy break from my botanical studies and I feel I have control over the arrangements of still life.

    Ready to hang.

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  • By Delma White

    Oil on canvas

    30.5cm x 30.5cm x 3.5cm

  • I just love working with orange! Orange is for the brave. Here I wanted to also paint white. What colour is white? It is a reflection of the colours around it. This was a happy break from my botanical studies and I feel I have control over the arrangements of still life.

    Ready to hang.

  • By Mark Rein

    Acrylic on canvas

    76cm x 61cm x 4cm

  • ‘Abundance’ is a vibrant celebration of nature's bounty. This original acrylic still life features a lush array of pomegranates, lemons and figs, bursting with rich colours and textures.

    Blending classical elegance with a modern twist and inspired by the works of Paul Cézanne, this piece blends traditional still life with a fresh, contemporary approach, transforming everyday objects into something extraordinary.

    Sides painted dark grey.

    DETAILS:

    *Technique: Layered brushwork with both soft blends and impasto accents.

    *Style: Contemporary still life / classical revival with a modern twist.

    *Inspiration: The textured backdrop, soft light and varied produce pay homage to the masters, while the brushwork and colour choices bring a fresh, modern vitality to a timeless genre.

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  • By Mark Rein

    Acrylic on canvas

    48cm x 88cm x 4cm

  • ‘Tranquility’ captures the harmony of nature through a serene stack of stones, delicately balanced against a calm blue sky and reflected in still waters.
    At the top, a small round pebble—seemingly minor yet essential—holds the entire structure together, symbolising how even the smallest elements play a vital role in maintaining harmony.
    Sides painted dark grey.

    DETAILS:

    *Technique: Layered brushwork with dry blending.

    *Style: Contemporary minimalist / symbolic realism.

    *Inspiration: This painting explores the metaphor of balance, between elements, emotions and moments.

  • By Gabrielle Tito

    Oil on cradleboard

    46cm x 51cm

  • Unframed and ready to hang.

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  • By Gabrielle Tito

    Acrylic on canvas

    78.5cm x 53.5cm

  • Framed in timber.

  • By Gabrielle Tito

    Acrylic on canvas

    22.5cm x 22.5cm

  • Timber frame.

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  • By Gabrielle Tito

    Acrylic on canvas

    20cm x 20cm

  • Timber frame.

  • By Gabrielle Tito

    Acrylic on canvas

    22.5 cm x 22.5cm

  • Timber frame.

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  • By Susannah Paterson

    Oil on canvas

    53cm x 63cm x 5.5cm

  • If you know my work, you will see a theme in all the subject matter of phenomena appearing and disappearing. This is life. Things form and appear, then breakdown and disappear. Here, the teapot and cups move towards the light and transform into the unknown. I am constantly reflecting on this theme. And yes, there is a dog.

  • By Susannah Paterson

    Oil on canvas

    50cm x 40cm x 4cm

  • A collection of ornaments, including a little carved coyote that I bought in Santa Fe. The little painting is one that I did over 20 years ago at art school and fulfils my penchant for including images within images into my work. It's colourful and it will bring a little joy and wonder to any space.

    The edges are painted white and it is unframed.

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  • By Susannah Paterson

    Oil on canvas

    55cm x 45cm x 5.5cm

  • These were the first teapots I made as a potter. They are very quirky and have all kinds of issues, the way first teapots do. Making a teapot is considered the potter's "Everest". They look simple enough, but everything has to fit to the millimetre, and of course, they need to pour well! The handle must feel comfortable to hold and the lid must fit just right - plus you have to remember to put the steam hole in. I kept the egg like one because it amused me, and call it good fortune or beginner’s luck, it actually does pour very well.

    I always like to make my work with a dreamlike quality - slightly surreal. Is it a window view behind the teapots or a painting? You can decide.

    I am playing with new and different palettes. I rather like this one, it's warm and comforting like a cup of tea.

    The work is framed and ready to hang.

  • By Farzana Ahmad

    Acrylic on canvas

    32.5cm x 32.5cm x 4.5cm

  • In this acrylic painting, I’ve explored the bright, inviting essence of an orange, pairing its vivid color with a contrasting purple background. By isolating and highlighting the fruit’s rich hues and intricate textures, I wanted to draw attention to the often-overlooked beauty of everyday life. The composition of whole and sliced segments captures both the form and the freshness of the orange, encouraging viewers to pause and appreciate its natural vibrancy. Through this study of color and contrast, I aim to evoke a sense of joy and warmth in the simple yet striking subject.

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  • By Farzana Ahmad

    Acrylic on canvas

    32.5cm x 32.5cm x 4.5cm

  • Hyperrealistic painting of red apples on a solid green background.

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